The punk culture that emerged in the mid-1970s focused partly on aesthetics but even more so on an attitude: the possibility of undermining the functionality and productivity of the world. In opposition to hi-fi cultures that see noise as polluting the signal one wants to send, lo-fi cultures view noise as a state to be inhabited rather than a disturbance to be eliminated. This noise protects the world from being too legible. But how can a choreography embrace this state of noise? Katerina Andreou is a Greek artist whose previous creations were notable for their singular choreographic language, which completely subverts the harmony of the body and the canon of dance: the steps are disjointed and furious, with a syncopated energy that catches us off guard. With this first collective creation premiering at the festival, Andreou unveils the chaotic resistance of punk and noise as a state of mind to a world that wants to be increasingly transparent and simplified. Together with an incredibly skilled group of performers, she embraces this energy, the frank and direct gestures and steps, carrying elements of playfulness and absurdity. This carefully constructed confusion might appear as a territory in which one is not lost, but perhaps more solid and secure. Bless this mess!