10 — 12.05, 16 — 19.05, 23 — 26.05, 30.05 — 01.06

Hsu Che‑Yu Taipei-Amsterdam

Three Episodes of Mourning Exercises

visual arts / film

argos centre for audiovisual arts

Mandarin → NL, FR | €6 / €4

With his first solo exhibition in Belgium, Hsu Che-Yu presents a series of objects and works that together form an original landscape on the idea of mourning. The impressive triptych Three Episodes of Mourning Exercises takes centre stage, consisting of three of his latest video works and as many stories about loss. Zoo Hypothesis recounts the animal-to-animal mourning ritual created by zookeepers who trained animals to kneel and perform gestures of worship to commemorate animals that have died due to warfare. In Blank Photograph, the memories of a terrorist bomber are juxtaposed with his brother's suicide in the family home, presenting death as a tension between the individual and the collective. Finally, Gray Room is a tribute to the artist's deceased grandmother, recalling the experience of bodily perception in her house while contemplating death and memory from a material perspective. To produce his video works, Che-Yu works with the 3D scanning technique also used by the Taiwanese police to collect forensic evidence, identify fragmented or decomposing bodies and examine crime scenes. Multiple exercises in mourning that explore the representations, constructions and alienations of memory and death as an intimate event. A breathtaking experience.

“Hsu Che-Yu ingeniously amalgamates true tragedies of our world with technologies including animation and film to create compelling humanistic works.”
Han Nefkens Foundation - Loop Barcelona Video Art Production Award 2022

10.05

11.05

12.05

16.05

17.05

18.05

19.05

23.05

24.05

25.05

26.05

30.05

31.05

01.06

Presentation: Kunstenfestivaldesarts, argos centre for visual arts
Three Episodes of Mourning Exercises is an exhibition by Hsu Che-Yu, created by Hsu Che-Yu (artist) and Chen Wan-Yin (scriptwriter)

Zoo Hypothesis
Video installation, 31min 33sec, 2023
Concept: Hsu Che-Yu | Screenwriter: Chen Wan-Yin | Performer: Wu Che-Sheng | Dramaturge: Chen Yi-Chun | Production manager: Chen Yung-Shuang | Taxidermist: Huang Wen-Chieh | Model: Yen Tsu-Wei | 3D scanning: Solid Memory - KIDEN Design | VFX: Wang Chien-Chao | Editor: Hsu Che-Yu
​​Supported by Theater der Welt & National Culture and Arts Foundation Taiwan

Gray Room
VR 360, 16min 06sec, 2022
Concept: Hsu Che-Yu | Screenwriter: Chen Wan-Yin | Producer: Chen Yung-Shuang | Voice-over: Yang Ru-Men | Technical advisor: Yeh Hsing-Jou | 3D scanning: Solid Memory - KIDEN Design | 4D views: IP Lab | VFX: Wang Chien-Chao | Editor: Hsu Che-Yu | Music: Wu Pei-Lin | VO recording: Pixelfly Digital Sound | Sound effect editor: Lin Yan-Rong | Sound project manager: Chou Sai-Wei 
Coproduced by Kaohsiung Film Archive VR FILM LAB & Han Nefkens Foundation

Blank Photograph
Video installation, 20min 29sec, 2022
Concept: Hsu Che-Yu | Screenwriter: Chen Wan-Yin | Interviewee and voice-over: Yang Ru-Men | Producer: Chen Yung-Shuang | Production assistant: Lin Tai-You | Director of photography: Chen Kuan-Yu | 1st assistant camera: Liang Shao-Wen | 2nd assistant camera: Sung Hsin | Sound engineer: Lin Yan-Rong | Boom operator: Li Yi-Shiou | Special effects: Lin Jia-Liang | 3D scanning: Solid Memory - KIDEN Design | 4D views: IP Lab | VFX: Wang Chien-Chao | Editor: Hsu Che-Yu | Foley artist: Gilles Marsalet | Sound editor, sound mixer and sound effects: Geoffrey Durcak | Color grader: François Engrand | Music: Sonic Deadhorse 
Produced by Le Fresnoy – Studio national des arts contemporains

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