ORPHIC EXUBERANCE VS SOLAR CAPITALISM

Eu queria ser uma abelha pra pousar em tua flor

    06/05  | 20:30
    07/05  | 20:30
    13/05  | 20:30
    14/05  | 20:30
    20/05  | 20:30
    21/05  | 15:00

€ 14 / € 11 (-25/65+) / € 16 / € 13 (-25/65+)
± 1h / ± 3h (in and out)
EN > NL / FR

Rencontrez les artistes après la représentation du 7/05

Ils créent ce qui est défini comme un capitalisme solaire au sein duquel la lumière, le mouvement de la terre, les marées et tous les coïts animaux deviennent une machine capitaliste. Même les cosmologies y courent le risque d’être colonisées. Un groupe de performeurs de disciplines différentes (danse, son, etc.) nous emmène à travers un parcours qui souhaite revendiquer une présence non productive et quasi destructrice du soleil. Pour ce faire, ils entremêlent des imaginaires archaïques, précapitalistes et futuristes. Est-il possible de raconter un mythe au-delà du simple usage du langage à travers de magnifiques costumes, des mouvements et des rythmes tropicaux ? Pour leurs deux dernières (et plus longues) performances, ils invitent d’autres artistes à créer avec eux un moment inattendu, au-delà des limites. Exubérant.

Dimanche 6 mai — 20:30>21:30
CLOVIS HORIZON
Eu queria ser uma abelha pra pousar em tua flor...
special guest: Bartira

Lundi 7 mai — 20:30>21:30
TRAGEDIA CLOVIS I
no guts no galaxy - me diz a reza que eu reza me diz a reza que eu reza me diz a reza
special guest: Bartira

Dimanche 13 mai  — 20:30>21:30
TRAGEDIA CLOVIS II
um pente é um pente cataclisma - a desert is a desert
special guest: Las Chicas

Lundi 14 mai — 20:30>21:30
GEOLOGICAL SUMMIT, LA CUMBRE DE LOS POETAS AUTONOMOS
produções pedra q ronca
special guests: Las Chicas and Tarek Halaby

Dimanche 20 mai — 20:30>23:30 -- intermission -- Lundi 21 mai 15:00>18:00
CLOVISCEEN / CLOVISCENO - TEATRO CIBERNÉTICO
13000 URCYBP (uncalibrated radiocarbon years beyond present)
special guests: Bartira, Enkidu, DJ Vinicius Variações

À voir aussi
Art & Populism - Brazilian arts under attack op 18/05 – 18:30

Textes & recherches Leandro Nerefuh   

Concept & performance Caetano, Cecilia Lisa Eliceche, Ribidjunga Cardoso   

Matériel sous licence Libidiunga Commons 2018 


Entités (Culture Clovis)
MARINHEIRIN
Adapée de ‘turma os crías’, 2014 

MI MAMA ME MIMA 
Adapée de ‘turma união realengo’, 2016   

ENCARNADO RUBRONEGRO, LADRÃO DO FOGO DO SOL
Design original libidiunga cardoso, 2018   

SURRUPIRINHA 
Adapée de turma (nom inconnu), 2008  

Invités spéciaux Bartira, Dj Vinicius Variações
  

Remerciements kika, gó e maria (a xeretinha), lu mugayar, cidinha, camila prima, aninha, marssares, solo shows são paulo, seu hélio (oráculo de realengo)   

Présentation Kunstenfestivaldesarts, KVS  

Productie Kunstenfestivaldesarts  

Coproductie Kunstenwerkplaats Pianofabriek (Bruxelles), wpZimmer (Anvers)   

Partenaires résidences Kunstenwerkplaats Pianofabriek (Bruxelles), wpZimmer (Anvers), Stuk (Louvain), KVS top (Bruxelles), Nadalokal (Vienne)

Partenaires programmation Kunstenfestivaldesarts, Centrale Fies (Dró, 2017), Live Arts Week VII, Xing (Bologne, 2018)

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ORPHIC EXUBERANCE VERSUS SOLARCAPITALISM, THROUGH AN INTERPRETER

In the beginning, there was a luminous bang, and vapours. besides, a new cosmic era took up the thread of eternal becoming. 

the Sun would come to an end, so they believed, that everything had been regulated from eternity. the passage to a new Sun or a new epoch was to occur catastrophically through a radical hecatomb, which would instantaneously revolutionize the universe.

Antú ie máy
Antú ie máy
Antú ie máy

under what conditions life will necessarily cease to exist? beings only die to be born. plants rise in the directions of the Sun and the core of the earth. matter forms and instantaneously join o fluxo. disasters, revolutions and volcanoes do not make love to the stars, they antagonise with the heavens.

thinking spirits understood the end of the world in terms of the end of the forest-of-all-spheres and the elimination of any future time. they called it ‘absolute evil’ or ‘Solar Capitalism had covered everything’.

what remains after the extinction of the Sun? an impenetrable burned disk. erasing one myth and creating another. Solar Capitalism will try anything to reignite the sun. which means to reignite the core of the earth as une machine puissante. which means bots drones algorithms waters metals rocks gases human bodies seeds, all naphtha burning fuel. all earth is all fossil fuel for the Solar Empire that strive to rule from satellites and such. striving to outdo Earth, Solar Capitalism strives to be the inextinguishable fire itself. napalm nafta benzine petroleum blood cacao pimenta chilly, coconut oil, frisoles, chia, maiz. the reign of the Sixth Sun, Sol invictus. 

the search for reason for the world was the necessary manifestation of a being that assumed an unstable, vertical position. hence all the back pain and knee problems humans have. they are só arrogant. now they want to space x the red planet and set up colony. 

– Poor devils, they do not know that we are also demonic. Laughter.

– To you, to all of you together who dwell in this land we have come here to hear your laments… and nothing will save you from thermal death. not any device you might create. not any chemo. not any shelter. only plants who only show themselves to those they appreciate.

some people say that solar laziness is…

the natives laziness is the conscious sabotage of the colonial machine; on the biological plane it is a remarkable system of auto-protection; and in any case it is a sure brake upon the seizure of whole enclaves by occupying powers. what power does the Sun have against a people who enjoy the rythms of their own lombra?
o Sol da idade e o sal das lágrimas. a sábia preguiça Solar.

– There is nothing new under the Sun. But there are new Suns.

each sacred thing must be in its proper place. if one sacred thing is lost, the entire order of the universe is destroyed.

expenditure? no! expenditure? yes! expenditure? maybe!

if a Clovis Horizon suck up the heat from the sun my bodies will explode into a million volcanoes.

and we will have paid back our cosmological debt to nature. and we will have concentrated again in the form of billion-ton clouds of magnetized gas which will again produce suns, planetary systems, etc. and we shall celebrate with barbaric music.

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Caetano (Salvador, Brésil 1980) est un artiste dont la pratique vise à révolutionner les approches zombies-centrées de la créativité. Il créé des espaces et des situations avec pour objectif de ramener le corps (humain) aliéné au centre de la cybersphère.

Cecilia Lisa Eliceche (Wallmapu, Argentine 1986) est une danseuse et chorégraphe transpercée par plus de 500 ans de colonialisme. Elle est fascinée par les potentiels infinis du corps humain et du mouvement. Elle conçoit la danse comme un langage que nous pouvons pratiquer et au travers duquel il nous est loisible d’expérimenter. 

Leandro Nerefuh (Bertioga, Brésil 1975) est un artiste dont le travail modèle des traductions formelles de grands récits historiques, avec un intérêt particulier pour l’Amérique Latine. Il est le fondateur du PPUB, parti politique actif au Brésil, au Paraguay et en Uruguay. Il soutient par ailleurs Sonia Guajajara comme candidate à la présidence du Brésil. 

Ribidjunga Cardoso est membre de la culture Clovis.

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