Anna Karasińska & Etcetera
With: Anna Karasińksa & Marta Keil
Moderation: Jonas Vanderschueren
In collaboration with: Etcetera
Anna Karasińska (°1978) is a theater director, filmmaker and playwright who is seen as one of the leading examples of the latest generation of theatre makers in Poland. As such, she has been alternatively described as a major proponent of 'post-theatre' or 'auto-theatre'. Through the means of theatre, she questions the ways of communication between actors and the audience, problematizing the implicit hierarchy between performer and spectator in many conventional theatre performances. In this way she unmasks the mechanisms of art (re)production and how these are embedded in an institutional context.
Her work is important in today's art scene in Poland, but also within the framework of Polish repertoire theatre. The latter is still strongly influenced by the legacy of nineteenth-century Polish Romanticism, a tradition which is crucial to understand how and why theatre in Poland is made in the way it is made. As a traditional carrier of Polish national identity, theatre institutions and practices hold a prominence within Polish society which is almost unparalleled in comparable Western European societies.
This talk will start from Karasińska's performance Fantazja and her strong meta-theatrical language, in order to provide better insight into this new (often feminine and/or queer) generation of young independent theatre makers. Often these theatre makers are based in Warsaw, with institutions like TR Warszawa, Nowy Teatr, Teatr Powszechny, Teatr Studio and Komuna//Warszawa forming a dense network of artistic interchange and experimentation. Today Poland is one of the most exciting places for anyone interested in contemporary theatre and performance, and this talk will elaborate on why this is.
See also: Anna Karasińska, Fantazja
Marta Keil is a performing arts curator, researcher and dramaturg. She co-runs the Performing Arts Institute based in Warsaw and curated together with Grzegorz Reske Konfrontacje in Teatralne (2012-2017) and in Teatr Polski in Bydgoszcz (2014-2016). She created and curates the EEPAP and teaches at the SWPS University of Social Sciences and Humanities in Warsaw. She is also the editor of the books Choreography: Politicality (2018), Reclaiming the Obvious:on the Institution of Festival (2017), Dance, Process, Artistic Research. Contemporary Dance in the Political, Economic and Social Context of “Former East” of Europe (2015).
Jonas Vanderschueren (°1993) is a Belgian writer and researcher currently based in Warsaw. He writes regularly on Polish culture, theatre and politics, and has been published with Etcetera, MO*, Knackand Apache. For two years he was editor-in-chief of the Dutch-language literary magazine Kluger Hans, and he worked as an intern at Nowy Teatr and Troubleyn/Jan Fabre.Back to top